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Self Portrait with a Cat
Laserstein depicts herself completely objectively in her Berlin studio as an emancipated woman and professional artist, aware of her individuality and unconcerned by her unconventional appearance. Her half-turned figure recalls the portraits of Hans…
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The Yellow Parasol
From about 1931 onwards, Laserstein began to adopt a looser, more fluid technique, her brushstrokes more impressionistic. This portrait of Laserstein’s close friend and favourite model Gertrud Rose (Traute Rose) is relaxed and informal. The image of…
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Henriette von Motesiczky with Dog and Flowers
Oil, 1967.
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Model with Parasol
Oil, 1932.
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Cascais
Oil, c.1954.
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Two Women and a Shadow
Oil, 1954.
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Portrait of Carl Ludwig Elias 7 1/4
Carl Ludwig Elias was the son of the distinguished art critic, Dr Julius Elias, who did much to promote a true understanding of French Impressionism in Germany. He was a lawyer in Berlin and emigrated to Norway when the Nazis came to power. He was…
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The Artist's Granddaughter with Her Nurse
Alternative title: The Granddaughter in the Wicker Chair Liebermann’s granddaughter was a much loved and frequent visitor to the artist’s lakeside villa. In this relaxed and unsentimental study, she is shown with her book leaning on a chair, while…
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Behind the Church
The square adjoining the City Church in Weimar is the subject of this picture. Feininger knew Weimar from pre-war visits but needed distance from location and in time for a vision to grow in his mind. His technique of the precise overlapping and…
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The Engine Shed, Dowlais, South Wales 1951
The artwork in the additional image is actually showing the rear of The Engine Shed canvas.